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Lucy Grubb

incomplete and fragile representations



relational forms of water


instability, material fragilities, and shifting impermanence’s underpin ideas of wetness allowing for pre-existing forms to become relationally (un)known and redescribe presence – where fingers provocate conversations of material juxtapositions – works materialise using compositional devices of interruption, commas, language systems, and poiesis to interrupt linear thought


through gesture, oscillation, and becoming, the work combines language and architectures to re-consider modes of production as a rehearsal space where works slip, slide, refuse, relate and hold.


(a thought-object)



Ruskin MFA 22
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